Evidence
AFTERLIFE SCIENCES
Different Areas of Evidence for the Afterlife
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Painting Mediums

Over at least the last one hundred years there have been many kinds of mediums who have produced paintings and drawings supposedly inspired by spirit contact. Judge for yourself.

Coral Polge Psychic Artist
Coral was an artist and a skeptic but she went on to draw more than 60,000 portraits of deceased loved ones. Sometimes she would work jointly with another medium who would link in and give additional information about the person.
Read more about Coral's work
and see her book her book, "Living Images"








Gordon Higginson & Coral Polge - Demonstration of Mediumship and Psychic Art



Rita Berkowitz Psychic Artist





Luiz Antonio Gasparetto(1948-2018)

Luiz Antonio Gasparetto grew up in a Spiritist family in Brazil. His mother Zibia practiced psychography (automatic writing) and eventually published books of spirit communications. Luiz was able to go into trance and, in darkness, paint in the style of a wide range of famous dead painters (Monet, Picasso, Rembrandt, da Vinci, Modigliani, Manet, van Gogh, Gauguin, etc). In one demonstration he did four paintings at once: one with each hand, one with each bare foot (these being done under the table at which he was seated), while his eyes were closed and he carried on a conversation. Each of the four paintings was by a different spirit artist and in four distinct styles that an art expert related to the named artists.
Read more.





MORE VIDEOS OF LUIZ GASPERETTO
* Luiz draws a different face with each hand at the same time. Each is by a different artist. Watch here.

* Toulouse Lautrec in 1981 speaking through Luiz predicted that in the future mediumship would come through electronic devices but salutes Spiritism of Brazil.
Watch here.

* New York Artist claims that the paintings are true to the style of the artists. Watch here.  


Jose Medrado
(1961 - )

A psychologist, teacher, lecturer and Brazilian physical medium, Jose Medrado, was a medium from childhood. He is a physical medium, able to produce full materialisations, however that was taking to great a toll on his body.

He only started painting mediumistically at the age of 27, when the spirit Renoir came up to him and proposed to jointly undertake a work which would "change paint into bread" in order to raise funds for the orphanage supported by his Spiritist Center, which was going through financial problems at that time. His psychic powers have been tested by researchers in laboratories in Europe, where he gave lectures in many countries.




The City of Light - founded by Jose Medrado in 1996.
https://www.cidadedaluz.com.br/en/index.html

All profits from his paintings go to support the Centre,



Florencio Anton
(1973- )

Painting medium Florencio Anton from Brazil says he became aware of spirit people at the age of eight and began developing his mediumship at the age of 11, producing spirit voices and automatic writing and first. Then dead artists began working through him and he has been giving public demonstrations for the past 20 years during which time he has produced over 5,000 paintings by over 100 artists. Each is said to be unique: he has never produced the same image more than once. The paintings are sold to support a charitable orphanage. Watch this video of Florencio at work in 2007.

Read more.



Florencio Anton supports charitable works at the city of Salvador using the income generated by the paintings. Grupo Espírita Scheilla (GES) is the spiritist foundation started by Florencio in 1999 (together with Sidney Rocha and Ana M. Lima) hosting a variety of pedagogical and psychological free services to help poor families and children of Salvador.

Being a spiritist institution, GES manages Comunidade Maria de Nazaré (CMAN or Mary of Nazareth Community).

"Florencio supports himself solely by his job as a teacher and Regression Therapist since he, as a spiritualist, is not able to use the money generated through the sale of the paintings for his own use." As a matter of fact, as a spiritist, he is not allowed to use the income generated by the paintings to himself, otherwise, spirits would quickly abandon him. His gift is dependent upon the good use he makes of it."


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